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February 19th, 2009

Blog Tour & Contest: My Book Therapy

Are you an aspiring novelist?  If so, this is the blog tour post you need to read!  Accomplished authors Susan May Warren, Rachel Hauck and Sarah Sumpolec have teamed up to form My Book Therapy, offering advice and “therapy” for your writing project.  This is a whammy of a tour with a load of information packed in – so hang on!

This is a contest you’ll want to enter if you already have your novel written, and are in need of a bit of “therapy” for it.  If you let the Book Therapy team know the brief synopsis of your story here, you can win 10% off a book therapy session.

I’m thrilled to have some advice from the talented Christian author Susan May Warren to share with aspiring novelists.  Read on for some free advice!

This one is near and dear to my heart; combining a writing career with homeschooling…

Q: Do you think it is possible to write a book if you are  a homeschooling mom? 

A: I was a homeschooling mom for eleven years, during which I wrote 24 books, so I know how overwhelming it can be.  I was fortunate – my children supported me and frankly, after spending six hours with me in school, they were ready to let me have my time alone!    However, admittedly it isn’t easy, and there are definitely some techniques to help make this an easier task. 

Here are some of the things I do to carve out productive time. 

  1. Establish a set time every day, or every other day to write and keep this time sacred.  Block it out on your calendar.  If you only write “when you can,” then there will always be things that will get in the way…from walking the dog to making chocolate chip cookies…  Set a time, and keep that appointment with yourself, telling yourself you are investing in your dreams. 
  2. Keep a writing Journal and every day log what you have done, and establish your goals for the next day.  You will access different sides of your brain as you are writing than you do when you are working, and instead of always keeping both sides active, if you write down where you were and where you want to go each day, you can let your creative side “rest” while you are teaching, knowing you can pick right back up when you return to your writing enclave.
  3. Keep a notepad handy.  Even though you have made notes for yourself to keep your creative side from overloading, your subconscious will still be working…and I guarantee that you will be right in the middle of  lesson, or an email, or even lunch, and suddenly you will hear/see/dream up your next scene.  Quick – grab your notebook before you lose your thought and write down just enough words to trigger the memory again, later.  Then, you won’t have lost it, but will have put it into its appropriate place to be pulled out during your writing time. 
  4. Involve your family in your dream.  I created mini-celebrations – when I finished a chapter, or a scene, or even a book, we’d have mini-party – ice-cream, or cookies, or a trip to the park.  Also, I promised my children that if/when I ever sold a book, I’d take them to Disney world!  And I kept that promise.  Involving them in the process allowed them to invest in the dream with me, and made them a vital part of my writing life.  And, most of all, they didn’t feel left out. 

It’s not easy to homeschool and write – many were the days when I held my two year old on my lap and typed around him.  But the reward is when they introduce you to others as, “my mom (or dad) the author!” 

And on the CBA/ABA question:

Q: Do you feel if a person is a Christian that he or she should only write in a Christian Genre?

A: NO, I do NOT think that Christians should only write in the CBA.  I think there are many Christians out there following God’s leading, writing for ABA – case in point, John Grisham.  I think the key is to do what God wants you to do.  Some stories are meant for CBA.  Some are meant for ABA.  I think also, you need to decide what you are comfortable with in the industry…ie, I leaned toward CBA because those were the stories I was burdened to write, but also, I didn’t want the ABA asking me to put into my books anything I found objectionable.  I look at singer Chris Daughtry, who is so clearly a Christian, and yet, he’s playing for a primarily secular audience.  And Rascal Flatts, a country band who clearly love Jesus.  Or even Deborah Macomber, who is a successful CBA romance novelist who is a professed Christian.  I think the key is to keep writing for your audience of ONE, and let God determine where and what He wants you to write. 

God Bless you on your writing journey!

Susan May Warren

Founder, www.mybooktherapy.com

You’ll also want to get in touch with the MBT team about their Blog-A-Book project.

Write a book with My Book Therapy Voices in 2009!
 
Remember those games you used to play where your friend started the story, and you finished it?  Or the “Choose your own ending” books?  Ever wanted to be a part of the story process, giving input on the character’s decisions, learning how to write a book as you go?  Me too!
 
Here at My Book Therapy, we love to write, and we love to teach writers how to find their voice. So, in 2009 we’ll be writing a book together!   Starting in January, we’ll create characters, a plot, develop conflict, the black moment, the epiphany and finally…the happy ending.  Then, week by week, you’ll be a part of the creation process, voting on the next step of our hero’s journey, watching the book take life, and learning the nuances of crafting a story. You’ll Blog-A-Book with the My Book Therapy authors and get tools to help you how to write your own novel.  
 
And, at the end of the year, we’ll have a book we’ve all created, something that we’ll publish!  And, best of all, the proceeds will go to support IJM, an organization that fights human trafficking around the world.  
 
I’m really excited about our new project, and can’t wait to see what the collective mind put together.  
So, Come and Blog-A-Book.  Learn.  Fellowship.  Bless.  
 
My Book Therapy…Discover the writer in you. 

So, let’s talk about the book!  You can enter to win a copy here, just tell the My Book Therapy team what kind of novel you have inside of you.  Contest closes February 28th, 2009.

From the Inside…Out: Discover, Create and Publish the Novel in You

Have you always wanted to write a novel, but didn’t know where to start? This book is for you. With proven techniques, easy to understand explanations and practical steps, From The Inside…Out will teach you how a story is structured then take you through the process of creating and marketing your novel. Topics include: Character-driven plotting, How to HOOK your reader, The elements and flow of SCENES, How to build STORYWORLD, Secrets to Sizzling Dialogue, Proven Self-Editing techniques, Synopsis and Query letter writing, How to manage your writing career …and everything in between!

You can buy it, along with other writing resources here!

Don’t forget to check out the other tour stops, there are lots of great articles and resources being shared around the blogosphere for writers this week!

February 18th, 2009

11th Christian Book Carnival

Thanks for joining us again for the 11th Christian Book Carnival!

For your reading enjoyment this week we have the following reviews for you to peruse:

FICTION

Lindsey from Kindred Thought reviews Kiss by Ted Dekker and Erin Healy.

Robin from Heart of Wisdom reviews The Shack by William P. Young.  Jennifer’s Note:  Robin has written an extensive and thorough review of this bestselling and controversial novel.  She’s inspired me to pull out my copy and get reading.

Nicole from Into the Fire reviews Word Gets Around by Lisa Wingate.

NON-FICTION

Jennifer from Quiverfull Family reviews Journey of a Strong-Willed Child by Kendra Smiley, Aaron Smiley, and John Smiley, an encouraging read for any Christian parent.

CHILDREN’S

Abi from 4 the Love of Books reviews The Moon Shines Down by Margaret Wise Brown.  Jennifer’s note: We love Margaret Wise Brown, this looks like a great addition to our library!

Thanks for your contributions!  I look forward to seeing what everyone has been reading next week.

February 18th, 2009

Music Review: James King – Gardens in the Sky: The Bluegrass Gospel of James King

 

A beautiful thing happens in the intersection of banjo, fiddle, mandolin, guitar, bass, a strong lead man and Jesus. The sweet, strains of bluegrass harmony are uniquely suited to reflecting the constant tug in the heart of God’s children towards the promised Kingdom to come. James King, a leading voice in traditional bluegrass music has offered up his first all gospel compilation.

Gardens in the Sky combines King’s gospel tracks from his own previous recordings contributions to other albums – most notably The Stanley Gospel Tradition – Songs About Our Saviour – and previously unreleased material to make up this winning compendium. King’s songs weave together the familiar elements of bluegrass gospel tunes: faithful mothers, daddies, family bibles, deceased relatives, the local church, worshipping the Lord and a desperate longing for heaven.

Opening with the up-tempo “Will He Wait a Little Longer,” King had me up and on my feet within the first few bars – easily the most likely contender for play at a community barn dance. The remainder of the album is much more reflective, with occasional bright spots that pick up the pace, such as the classic acapella warning to sinners “It’s Hot Down Here.” The albums mood ranges from melancholy to sweet assurance, and throughout listeners can easily detect the ongoing thread of the heart’s ongoing desire to meet with the saviour, to be reunited with loved ones who have gone on before.

The traditional song “Garden in the Sky” – the album’s namesake – is a sweet song of acceptance into the arms of Jesus, reassuring loved ones who remain, while still plucking the heartstrings of any parent. Other inclusions such as “Daddy Doesn’t Pray Anymore” are classics in the making with a hidden meaning that is only revealed at songs end.

A most curious addition to the album is “Jerusalem Tomorrow.” While the song hearkens back to the early Christian church, King’s rendition calls up images of the southern Bible belt. There the lyrics could as easily be applied to religious charlatans without Jesus in their life, as the false healer in Israel.

Of course no bluegrass disc would be complete without the smooth harmonies found throughout, most notably on “I Just Steal Away and Pray,” “Don’t Worry Mama,” which features the single female voice – Rhonda Vincent – on the CD, and “Voice of My Saviour.” But truly there are too many excellent examples to mention them all.

King’s vocal stylings are humble and unpretentious; relying upon his steady, grounded voice that consistently delivers both songs of praise, warnings of judgment and simple odes that reflect the Christian life. Warm, rich and full of life King’s voice is earthy, deep and true. He contributes a genuine salt-of-the-earth and son-of-the-hills flavor to the recording. With solid performances all around Gardens in the Sky is a classic disc that listeners will reach for time and again.

CLICK HERE TO BUY NOW AT AMAZON.COM!

Track Listing:

1. Will He Wait A Little Longer
2. The Darkest Hour Is Just Before Dawn
3. I Just Steal Away and Pray
4. Daddy Doesn’t Pray Anymore
5. Garden In The Sky
6. Jerusalem Tomorrow
7. It’s Hot Down Here
8. Sweeter than the Flowers
9. Don’t Worry Mama
10. The Touch of God’s Hand
11. These Old Pictures
12. Just as the Sun Went Down
13. Message for Peace
14. Angels are Singing (In Heaven Tonight)
15. The Prettiest Flowers Will Be Blooming
16. Voice of My Savior
17. Will You Feel at Home
18. Happy I’ll Be

February 18th, 2009

FIRST Tour: Out of Time (Time Thriller Series #2) by Paul McCusker

It is time for a FIRST Wild Card Tour book review! If you wish to join the FIRST blog alliance, just click the button. We are a group of reviewers who tour Christian books. A Wild Card post includes a brief bio of the author and a full chapter from each book toured. The reason it is called a FIRST Wild Card Tour is that you never know if the book will be fiction, non~fiction, for young, or for old…or for somewhere in between! Enjoy your free peek into the book!

My Note:  I’ve finished this one, so hang in there for a review.  I’m afraid I was disappointed by this title.

You never know when I might play a wild card on you!

 

Today’s Wild Card author is:

 

Paul McCusker

 

and the book:

 

Out of Time (Time Thriller Series #2)

Zondervan (February 1, 2009)

 

ABOUT THE AUTHOR:

Paul McCusker is the author of The Mill House, Epiphany, The Faded Flower and several Adventures in Odyssey programs. Winner of the Peabody Award for his radio drama on the life of Dietrich Bonhoeffer for Focus on the Family, he lives in Colorado Springs with his wife and two children.

Visit the author’s website.

Product Details:

List Price: $9.99
Reading level: Young Adult
Paperback: 240 pages
Publisher: Zondervan (February 1, 2009)
Language: English
ISBN-10: 0310714370
ISBN-13: 978-0310714378

AND NOW…THE FIRST CHAPTER:

“Quid est ergo tempus? si nemo ex me quaerat, scio; si quaerenti explicare velim, nescio.” 

[Translation: “What, then, is time? If no one asks me, I know; if I want to explain it to someone who does ask me, I do not know.”]

-St. Augustine

Prologue

A tall gray old man stepped to the pinnacle of Glastonbury Tor, an unusual cone-like hill with a tower named after a saint. In the wet English twilight, the wind whipped the old man’s long gray hair and beard and the ragged brown monk’s robe he wore like a flag in a gale. The dark clouds above moved and gathered around him. Chalice and Wearyall Hills sat nearby, their shoulders hunched. A battered Abbey beyond listened in silence.

The old man cast a sad eye to the green landscape, spread like a quilt, adorned with small houses and shops. He prayed silently for a moment, then pulled an ancient curved horn from under his habit. He placed it to his lips and blew once, then twice, then a final time. The three muted blasts were caught by the wind and carried away.

It was a summons.

PART ONE: The Stranger

Chapter 1
Chapter 2

“Look at that,” Ben Hearn said to his wife Kathryn. “It’s crazy, I tell you. Crazy.”

They were in Ben’s pick-up truck rattling for the Fawlt Line High School to help chaperone the sophomore class end-of-the-year school dance. Mr. and Mrs. Hearn weren’t keen on dances themselves, at least not the modern kind, but their daughter Chelsea would be there for her first real dance in her formal dress and flowers and carefully permed hair. She was escorted by Tommy Daughtry who showed up tonight at their front door in an ill-fitting tuxedo and an awkward blush on his cheeks. Kathryn thought they were an adorable couple, and said so again and again with every photograph she insisted on taking next to the fireplace and on the patio and by Tommy’s dad’s car. Kathryn even took a picture as they drove away.

“Kathryn, are you listening to me?”

“What’s crazy, Ben?” Kathryn suddenly asked, peering through the unusual fog.

“Didn’t you see the sign for Malcolm Dubb’s village?”

Kathryn hadn’t. But since they were on one of the roads bordering Malcolm Dubb’s vast estate, she remembered what sign her husband was talking about. It was the one that announced the construction of Malcolm Dubb’s Historical Village.

“I don’t know what the town council was thinking when they agreed to it,” Ben said. Malcolm was the wealthiest citizen of their little town of Fawlt Line. In fact, his family had been there for close to two centuries. Malcolm, a history buff, had designated a large portion of his property for the village.

Kathryn squinted at the fog ahead. “Don’t you think you should slow down?”

The truck engine whined as Ben heeded his wife. “You know what he’s doing with the village, right? He’s shipping in buildings, Kathryn. Brick by brick and stone by stone from all over the world. Have you ever heard of such a thing? A museum with a few trinkets and artifacts I could understand, but buildings?”

Kathryn smiled. “Malcolm always was obsessed with history. I remember when we were in school together—”

Ben wasn’t listening. “Do you know what they’ve been working on for the past few weeks? Some kind of a ruin from England. A monastery or castle or cathedral or something.”

“From England?” Kathryn asked. “Did he ship in this fog too?”

Ben grunted, “I just don’t understand Malcolm’s fascination with something that’s ruined. What’s the point?”

Kathryn was about to answer—and would have—if a man on horseback hadn’t suddenly appeared on the road in front of them. The fog cleared just in time for Ben to see him. He swore out loud as he hit the brakes and jerked the steering wheel to the right. The horse reared wildly. The man flew backwards to the ground. Kathryn cried out as the truck skidded into a ditch on the side of the road and came to a gravel-spraying stop.

Ben and Kathryn looked at each other shakily.

“You all right?” Ben asked.

Kathryn nodded.

“Of all the stupid things to do—” Ben growled and angrily pushed his door open. “Stay here,” he said before the door slammed shut again.

Kathryn reached over and turned on the emergency flashers.

Ben made his way cautiously down the road. “Fool,” Ben muttered to himself, then called out. “Hello? Are you all right?”

The fog parted like a curtain, as if to present the man lying on the side of the road to Ben.

“Oh no,” Ben said, rushing forward. He crouched down next to the figure, a very large man. Whoever it was seemed to be wrapped in a dark blanket. The man was perfectly still and his face was hidden in the fog and shadows.

“Hey,” Ben said, hoping the man would stir. He didn’t. Ben looked him over for any sign of blood. Nothing was obvious around his head. But what could he expect to see in that fog? “Kathryn! Call 911 on the mobile phone. And bring me the flashlight from the glove compartment!” he called out.

He peered closely at the shadowed form of the man as he heard Kathryn open her door. She was already talking into the phone, gasping instructions to an emergency operator. The shaft of light from the flashlight bounced around eerily in the ever-moving fog. “Ben?”

“Here,” Ben said.

Kathryn joined him. “Ambulance is on its way. But they’re on the line and want to know his condition.”

He took the flashlight from her and got his first full look at the stranger. He had long dark salt-and-peppery hair, beard, and moustache and a rugged, outdoorsy kind of face. Ben couldn’t guess an age for the man. Anywhere from 40 to 60, he figured. He wore a peaceful expression. He could’ve been sleeping. “I can’t tell. There’s no blood.”

Kathryn reported Ben’s findings to the emergency operator, then asked Ben, “He’s not dead is he?”

“I don’t think so.” Ben reached down, separating the blanket to check the man’s vital signs. The feel of the cloth told him it wasn’t a blanket at all. And as he pushed the fabric aside, he realized that it was a cape made of a thick course material, clasped at the neck by a dragon brooch. “What in the world—?”

Kathryn gasped.

They expected to see a shirt or a sweater or a coat of some sort. Instead he wore a long vest with the symbol of a dragon stitched on to the front, a gold belt, brown leggings, and soft leather footwear that looked more like slippers than shoes. The whole outfit reminded Ben of the kind of costume he’d seen in a Robin Hood movie. At his side was a sword in a sheath.

“Is it Halloween?” Kathryn asked.

***

At the high school, the sophomore dance was just getting under way. The Starliners, a rock and jazz band from nearby Hancock, warmed up for their first number as the sound engineer tried to get the volume just right.

Jeff Dubbs, dressed in a tux and looking all the more uncomfortable for it, stepped into the converted gymnasium and looked around. Streamers and balloons blew gently in the rafters above. A banner wishing the class a good summer rustled over the scoreboard.

A couple of dozen kids mingled in the middle of the dance floor and along the walls. Jeff tugged at his collar and wished he was somewhere else. Anywhere else.

Elizabeth Forde, Jeff’s girlfriend, slipped her hand into the crook of Jeff’s arm. She kissed him on the cheek. “Tell me you like it. We were here all afternoon getting the room decorated.”

“It’s nice,” Jeff said. You’re nicer, he thought as he looked Elizabeth over for the umpteenth time. She was wearing a stunning pink gown with lots of lacy things around the neck and sleeves. The white corsage he had bought for her was pinned to the strap. She looked out over the gathering students and he took in her profile: the delicate nose, large brown eyes and full lips, all framed by the long brown hair that she’d taken extra care with earlier that evening. He had to admit it, she was beautiful.

She glanced at him and caught him looking at her. He blushed.

“What’s wrong?” she asked self-consciously.

A loud metallic crash behind them saved Jeff from answering. Elizabeth’s father, Alan Forde, an eccentric man at the best of times, had dropped a tray of paper cups filled with drinks. Elizabeth’s mother rolled her eyes. “I told you to be careful,” she lectured.

“Too many cups to one side,” he answered quickly as he knelt to clean up the mess. “I misjudged the balance.”

“Oh, Daddy,” said Elizabeth bemused, and went to his side to help.

Jeff grinned. There was a time when Elizabeth would have raced from the room in embarrassment over her father. Not any more. Not since she’d had an adventure that, in part, made her realize how much she loved her parents, quirks and all.

“Hello, Jeff,” Malcolm Dubbs said. Malcolm was an English relative who’d become Jeff’s guardian—and the head of the Dubbs family’s vast American estate—after Jeff’s parents had died in a car accident.

“Hi, Malcolm,” Jeff said. “Nice suit.”

Malcolm tugged at bottom of his jacket. “It doesn’t smell musty, does it?”

Jeff sniffed the air. “Nope.”

“Good.”

The lead singer for the band stepped up to the microphone. “How’re you doing?” We’re the Starliners and we hope you’re ready to dance!” The three-piece brass section started an up-tempo song with the rest of the band joining in a few bars later. A handful of dancers wiggled their way onto the floor. Again, Jeff wished he was somewhere else. He didn’t like to dance.

Elizabeth left her father and mother to finish cleaning up the spilled drinks and rejoined Jeff.

“You look exquisite, Elizabeth,” Malcolm said.

Elizabeth curtseyed. “Thank you, Malcolm. You look pretty nice yourself.”

He smiled at her, then at Jeff. “Why don’t you two dance?”

“Malcolm,” Jeff said through clenched teeth. Malcolm knew full well that Jeff didn’t like to dance.

Elizabeth feigned a melodramatic tone, “I’ve resigned myself to an evening as a wallflower.”

“Will you dance with me?” Malcolm asked, with a slight bow.

“I’d love to,” she said and offered him her hand.

He took it and winked at Jeff as he lead her onto the dance floor. Jeff leaned against the door post, his arms folded. Upstaged by his cousin once again. But he didn’t mind at all.

A tap on the shoulder took his gaze from the dance floor and into the round boyish face of Sheriff Richard Hounslow. The Sheriff was in his uniform—Fawlt Line Police Department’s traditional beige shirt and trousers. The shirt was unbuttoned at the collar. He didn’t wear a gun unless he had to. His only official equipment was his badge and a walkie-talkie strapped to his belt. “Is your cousin here?”

Jeff tipped his head towards the dance floor. “Out there with Elizabeth. Is something wrong?”

“Kinda.”

“You want me to go get him?”

Hounslow shook his head. “Nah, I’ll wait until the song’s over.”

They stood silently for a moment and watched Malcolm and Elizabeth play Fred Astaire and Ginger Rogers amidst the wild gyrations of the dancers around them.

“He’s not bad,” Hounslow said.

The song ended. Malcolm and Elizabeth, pleasantly breathless, returned to Jeff.

“Uh oh,” Malcolm said when he saw Hounslow. “What’s wrong?”

Hounslow straightened up. “I need you to come to the hospital. Apparently one of the workers from your so-called historical village was knocked down by Ben Hearn’s truck.”

“One of my workers?” Malcolm said, surprised. “But they’re off for the weekend. Are you certain he’s from my village?”

Hounslow shrugged. “He came racing off of your property on a horse—right in front of Ben. Worse, he doesn’t speak a word of English, just some gibberish. That’s why I need you to come.”

“Is he seriously hurt?”

“No. But Doc McConnell wants to keep him in overnight for observation.” Hounslow gestured to the dance. “Sorry to take you away from all your fun.”

“Hmm.” Malcolm turned to Jeff. “My dear boy, I leave Elizabeth in your capable hands. Dance with her.”

Jeff hung his head.

“You heard your cousin,” Elizabeth said, and dragged Jeff onto the dance floor.

***

The stranger had caused such a ruckus at the hospital—shouting, trying to get away—that the doctor had had to sedate him and strap him into the bed. He lay sleeping as Malcolm, Sheriff Hounslow, and Dr. McConnell approached the bed.

“We had to give him three times the normal dose because of his size,” Dr. McConnell said softly, as if he was afraid of waking the man.

Malcolm looked closely at the unconscious figure. He was big, all right, stretching the length of the bed. “I’ve never seen him before,” Malcolm said.

“He was riding one of your horses,” Hounslow stated.

Malcolm cocked an eyebrow. “I’ll have to talk to Mr. Farrar, my groundskeeper. He lives in the cottage next to the stables.”

“Already done,” Hounslow said. “He was watching television. Didn’t hear a thing. He was surprised that one of your horses was gone. So, if nothing else, you could press charges against the man for horse-thievery.”

Malcolm shook his head. “I’d like to find out more about him first.”

“Well, good luck. We couldn’t get anything out of him. He kept yakking away in some gibberish. Kept pounding his chest and calling himself Rex or Regis or something like that.”

Dr. McConnell interjected. “It’s strange, but he spoke words and phrases that reminded me of the Latin I picked up in medical school.”

“Latin?” Malcolm asked.

“Could’ve been,” Dr. McConnell said. “But I’m no expert.”

Hounslow pulled at his belt. “I called the asylum in Grantsville to see if they’ve had any escapes. None.”

“Just because he speaks Latin doesn’t mean he’s mentally disturbed,” Malcolm said.

“Agreed,” Hounslow answered, “but how about that.” He pointed to the stranger’s clothes, now draped across a visitor’s chair.

Malcolm walked to the chair. “This is what he had on?” he asked, surprised.

Hounslow nodded. “That’s another reason we figured he was from your village. You haven’t started hiring character actors, have you?”

“The construction workers are still building,” Malcolm said. “I haven’t hired any staff yet.” He fingered the fabric of the robe and tunic, making a mental note of the dragon insignias. He picked up the soft leather shoes and looked them over. “Amazing. The outfit looks so authentic. And I don’t mean authentic like a well-done replica, I mean it looks worn like they’re real clothes.”

“Maybe he’s one of those homeless fruitcakes who just happened to wander into town,” Hounslow offered.

Dr. McConnell folded his arms, “It’s hard to imagine this guy being homeless and just wandering anywhere with that sword.”

“Sword?” asked Malcolm.

“Here,” Hounslow said and opened the door to the large wardrobe in the corner. With both hands he pulled out a long sword encased in an ornate golden scabbard. He cradled it in his arms for Malcolm to inspect.

“Good grief,” Malcolm gasped, running his hand along the golden scabbard. “Is that real gold?”

“Looks like it,” Hounslow said.

Malcolm examined the handle of the sword, also golden, with a row of unfamiliar jewels imbedded along the length of the stem. Even in the washed-out fluorescent light of the room, it sparkled as if it reflected the sun. “Can I take it out?”

“Yeah,” Hounslow said, “but be careful. It’s heavy and sharp.”

Malcolm grabbed the handle with both hands and withdrew the sword from the scabbard. It was heavy, as Hounslow said, and Malcolm imagined it would take a man the size of the stranger to weald it with any effect. It was a strain to hold it up. The blade was made of thick, shiny steel with an elaborate engraving of what looked like thin vines and blossoms along the edges. “It must be worth a fortune,” Malcolm said as he slid the sword back into the sheath.

Dr. McConnell agreed. “So what’s a derelict doing with a Latin vocabulary and a valuable sword?”

“That’s what I’d like to find out when he wakes up,” Malcolm answered.

Chapter 3
Chapter 4
Within two hours the stranger was awake and pulling at the restraining straps on the bed. He shouted at the nurse, Dr. McConnell, Sheriff Hounslow and Malcolm in a tone that was unmistakably belligerent. When he realized it didn’t help, he resigned himself to watch the flashing lights and electronic graphs on the medical equipment around him.

After hearing a few of the phrases he yelled—like rex, regis, libertas, stultus—Malcolm was certain about the Latin and phoned a friend of his from the University at Frostburg to come. Dr. Camilla Ashe was so intrigued by Malcolm’s description that she decided not to wait until morning and drove the forty-five minutes to Fawlt Line that night. She arrived a little after ten. By that time the group in the room included Jerry Anderson, editor of Fawlt Line’s Daily Gazette. He had heard the news about the mystery man on his police scanner.

Dr. Ashe, a prim scholarly woman dressed from head to toe in tweed, approached the side of the bed warily. The stranger was once again transfixed by the lights on the equipment and only seemed to realize she was there when she cleared her throat. He looked at her with an expression of impatience. She spoke to him in Latin and he gawked at her. Then, realizing he finally had someone who understood him, he bombarded her with words. She tried to interject, but the stranger kept talking. His voice rose to a shout and she seemed to lose patience and responded in kind.

Malcolm watched them, astounded that they seemed to be arguing and wished he had taken the time to learn Latin in college. Jeff and Elizabeth quietly slipped into the room, still dressed in their clothes from the dance, and leaned against the far wall to stay out of the way.

The stranger continued his assault with words. Finally, Dr. Ashe put her hands on her hips and spoke in a tone that was withering in any language. The stranger turned his head away from her as if to say that the conversation was over. He didn’t look at her again. She spun around to the expectant group, growled loudly and stormed out of the room.

“What was that all about?” Malcolm asked her in the hall.

Her hands trembled as she unwrapped a piece of gum and tossed it into her mouth. “I’ve given up smoking, but I’d love to have a cigarette now.”

“Sorry,” Malcolm said, then waited politely for her to compose herself.

“He said he didn’t want to talk to a woman,” she said. “He resented a woman being sent to him by his captors.”

“Captors!”

Dr. Ashe chewed her gum forcefully. “I don’t mind saying that that man should be certified. He’s not sane.”

“Why? What did he say?”

“He said that, as a king, he should be treated with more respect. He wants to speak with whichever baron or duke is holding him captive. He wants to know where he’s being held and if there’s a ransom. He demands to be told how he got here and where his knights are. And, finally, he wants someone to tell him about the magic boxes with the flashing lights.” Dr. Ashe groaned.

“I told you he’s a fruitcake,” Sheriff Hounslow said from behind Malcolm.

“Or it’s a very tiresome joke,” Dr. Ashe added and wagged a finger at Malcolm. “You wouldn’t be pulling a prank on me, would you?”

“No,” Malcolm said simply.

“Then you should get him some psychiatric help,” she said.

“I still don’t understand,” Malcolm said. “He said he’s a king. But King who—and king of what”

Dr. Ashe grinned irritably. “He says he’s King Arthur.”

Chapter 5
Chapter 6
Dr. Ashe left. She wanted nothing more to do with the Latin-speaking lunatic.

“What are you going to do now?” Jerry Anderson asked Malcolm.

Before Malcolm could answer, Hounslow jumped in. “Let’s get something straight. Doc McConnell and I are making the decisions here. Not Malcolm.”

“Sorry,” Jerry said. “What are you going to do now, Sheriff Hounslow?”

Hounslow shrugged, “I don’t know yet.”

Malcolm smiled politely. “In my humble opinion, we should find someone else who knows enough Latin to communicate with him. A man this time.”

Elizabeth raised her hand and wiggled her fingers. “I know someone.”

All eyes fell to her.

“My Dad,” she said. “He studied Latin when he was in college and sometimes uses it for his research.” Elizabeth’s father was a teacher at the middle school, though some said he should have been teaching at a major university.

“Of course,” Malcolm said and went to the phone.

Alan Forde was quite tall himself and his size, combined with his knowledge of Latin, obviously impressed the stranger. The stranger seemed more patient and spoke in calmer tones. Alan pulled up a chair next to the bed. After a brief spurt of conversation, he turned to Dr. McConnell. “Can we free his hands please?”

Dr. McConnell looked skeptically at Alan and the stranger. “You’re kidding.”

“He promises not to resort to physical violence or even to attempt an escape. But it’s offensive to his honor to be tied up.”

“Well … “ Dr. McConnell began, then looked to Sheriff Hounslow and Malcolm for help.

“I think you should do it,” Malcolm suggested.

Sheriff Hounslow unclipped the walkie-talkie from his belt and called to one of his officers on the other end. “Bring me my gun,” he said.

“Okay,” Dr. McConnell said. He undid the restraining straps.

The stranger rubbed his wrists then sat up in the bed. He spoke to Alan.

“Thank you,” Alan translated, then added: “I think he’ll be more agreeable to talk now.”

“Does he really think he’s King Arthur?” Hounslow asked.

“Yes.”

“Then what’s he doing here?” Malcolm asked. “What was he doing on my property? Why did he take my horse?”

Alan posed the questions to the stranger.

Through Alan, the stranger explained, “My nephew Sir Mordred, that traitorous and wicked knight, attempted to usurp my throne whilst I was pursuing Sir Lancelot north to his castle at Joyous Gard. Verily, I loved Lancelot as my own, even whilst he coveted my queen and betrayed me. While I was gone, Mordred enticed many weak-willed nobles to join his army to overthrow my rule. My army met and routed his forces on Barham Down, but my nephew fled to other parts. We made chase but did not battle them again, choosing instead to negotiate a peace. I desired not the terrible bloodshed that would ensue if we were to engage in combat. And so it is that we have come here to this plain to meet and discuss terms.”

“What’s this got to do with anything?” Hounslow growled.

Malcolm ignored him. “So tonight is the eve of your meeting with Mordred to make a truce,” he said to Alan while looking at the stranger. “What happened?”

The stranger answered through Alan, “As I lay upon my bed in my pavilion, I dreamed an incredible dream. I sat upon a chair which was fastened to a wheel in the sky. I was adorned in a garment of finest woven gold. Far below me I saw deep black water wherein was contained all manner of serpents and worms and the most foul and horrible wild beasts. Suddenly, it was as if the wheel turned upside-down and I fell among the serpents and wild beasts and they pounced upon me. I cried out in a loud voice and awoke upon a cold slab of stone in the midst of a vast field. Troubled by this vision, I rose, determined to find my knights. I espied glowing torches in the distance and approached them. I found there not my army but a stable of horses. I mounted one and made haste in the direction of my knights. I spurred the horse ever-faster and faster until I was attacked by the armored cart that was drawn by neither man nor beast. Frightened, my horse reared and I fell to the ground.” He turned to Malcolm, “Now, speak knave, am I a prisoner or is a dream?”

Malcolm tugged gently at his ear and said to the others, “He woke up on one of the stone slabs in my historical village. Probably in the church ruins I bought from England. Very interesting.”

“You don’t believe any of this nonsense, do you?” Hounslow asked.

Malcolm answered in a guarded tone, “For the moment, I believe that he’s confused and found himself on my property.”

The stranger folded his arms and muttered the same phrase over and over.

“He says Merlin is responsible,” Alan said. “He doesn’t know how, but he’s sure it is some trickery of Merlin’s.”

“That’s it,” Hounslow said. “Everybody out. It’s now past midnight and I’ve had enough of this. We’re going to transfer this nutcase to the Hancock Sanitarium. Let them decide what to do with him.” With that said, he marched out of the room.

Dr. McConnell looked at Malcolm apologetically. “What else can I do with him?”

Malcolm didn’t know. “I wish I could take him back to my cottage.”

The stranger spoke again and Alan translated, “Answer me! Am I to be ransomed or is this a dream?”

Malcolm spoke as soothingly as he could. “Tell him that we are not his captors and, if it’ll help, to consider this a bizarre dream.” As an afterthought, he added, “Also ask him if he’ll give us his word as King not to try to escape tonight. Otherwise, the doctor will have to strap his arms again.”

The stranger gave his word.

 

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February 17th, 2009

Homeschool Review: Spears Art Studio: K – 8 Christian Art Curriculum, A Teacher’s Manual by Diane S. Spears

I know that I’m not alone as a homeschooling mother who has an aspiring artist in her care.  I’m not exceptionally talented artistically (that’s an understatement), and engaging my children in artistic instruction seems well beyond my abilities.  Educator and artist Diane Spears wrote her Christian art curriculum precisely for teachers like me; those who’d like to provide fine arts instruction to their pupils but aren’t sure where to start.

Spears Art Studio: K – 8 Christian Art Curriculum, A Teacher’s Manual appears daunting upon first encounter.  Available on CD as a series of .pdf documents, the curriculum is hundreds upon hundreds of pages in length.  269 art activities, 138 patterns and display posters and 547 pages of instruction are provided in this multi-year program.  It does take some time to familiarize yourself with the content.  Starting with the introductory materials and working your way through them soon reveals the fact that Spears is dedicated to providing economical, scripturally integrated, art lessons that encourage evaluation skills, the study of art history and integration with other core subjects. 

It soon becomes clear that the main thrust of the curriculum is for teachers in private Christian schools (the inclusion of sheets for lists of student grades, large class clean up tips etc. are the tip offs) but as homeschoolers know, it isn’t too difficult to adapt to smaller numbers of students.  Something you will want to establish that schools will have in place is an art/craft supply cupboard.  An extensive collection of readily available, affordable supplies is required for the program, but you will need a place to store and organize them for quick and easy access.  Downloadable files of the required materials are available online for your perusal before purchase.

The curriculum is organized into 35 weekly themes that repeat through each of the grade levels, increasing in difficulty, scope and instruction as the year’s progress.  Each lesson is integrated with scripture and applications to the Christian life; for parents who seek to integrate Christ into all they do, this is a serious factor to consider in select an art program.  The beauty of the repeating themes is that families with children in an assortment of grades can use the same scripture, theme and introductory materials for all of their children – varying the medium and skills taught as appropriate.  The lessons are illustrated with actual examples of art, displaying the striking level of quality that is within reach for students using these lessons (even without the tutelage of an experienced artist).

The lessons are arranged seasonally within the traditional school year from September to May (one lesson is provided for each week).  The themes explored each month are usually related to the seasons and major holidays found within the month. Families who choose not to celebrate these mainstream holidays may choose to skip certain weeks. At times strong patriotic, American themes are presented – as Canadian’s we’d most likely pass by these weeks as well or substitute Canadian content.  However, the vast amount of material presented for all grade levels makes the program a worthwhile purchase even if some lessons are not appropriate for your family.

The files are reproducible within one family or classroom.  A detailed scope and sequence is provided to evaluate the objectives, skills and elements for each lesson according to grade level.  A glossary of art terms is provided in the appendix, along with the original, general supply list.

Spears is obviously dedicated to making her program the best it can be.  In response to customer input she has made additional files available for download online such as the supplies lists previously mentioned, an image resource packet – a list of sources for the recommended art images for each weekly theme (with a focus on free websites) and an additional page on teaching drawing.  Her commitment to continually revising, improving and adding to her product is a blessing – the list of image sources online is a particular blessing and will save parents hours of internet search time.  Spears’ talent as an artist is indisputable, the occasional inclusion of her own works of art throughout the course is inspiring, further examples can be found on her website.

I’m truly amazed by the effort that Spears has poured into this curriculum.  Any Christian family looking for a serious fine arts program will be delighted with the thorough planning that has gone into the integration of biblical principles with the quality art projects.  The price is amazing – $39.95 for the CD full of printable .pdf files including shipping.  Due to the huge size the printed book/CD combo costs $134.95, so printing the curriculum yourself may be more affordable.  I also have my eye on Spears’ calligraphy program – Beginning Calligraphy Workbook, for Grade 5 – Adult.  The combination of scripture with artistic lettering has so much potential for wall-art; I just know I’ll be picking it up for myself in the future.

Free sample lessons for the K – 8 are available for download here.  For those of you with older children Spears Art Studio High School Art Survey, A Study from a Christian World View is available for $29.95.

February 17th, 2009

Homeschool Review: WriteShop StoryBuilders: World of Sports and World of Animals

With the inclusion of WriteShop’s full-length, incremental writing curriculum in Cathy Duffy’s well-respected 100 Top Picks for Homeschool Curriculum; their products have been climbing the internal charts every homeschooler keeps in their mind of curricula providers in certain subjects.  Their flagship WriteShop program offers writing instruction for students starting in grade six through grade 12, with a series in the works for elementary students with the first title already released.  Amongst their new offerings are the WriteShop StoryBuilders card decks for use as a fun, informal supplement to spur creative writing and storytelling activities.

Available as e-books or instant delivery, the StoryBuilders decks are currently available in four sets of cards: World of People, World of Animals, World of Sports and the Christmas Mini-Builder.  Each full-sized deck includes 192 StoryBuilder cards with one set in black and white for printing on coloured cardstock, or a colour version for printing on white cardstock according to your preference.  48 blank cards are also provided for writing your own cards.  The Mini-Builder contains 96 cards. 

Each deck includes cards to be drawn to establish the character, character traits, setting and plot for spontaneous, creative writing projects.  The cards are either printed on color-coded cardstock, or the words on each are coloured according to category.  A number of suggestions for incorporating the cards into your writing/language arts schedule are provided with various approaches to selecting cards, choosing elements, writing projects and incorporating narration/storytelling for pre-readers.

When I saw that we’d received the World of Sports StoryBuilder as one of our review selects I was a bit disappointed.  Our family isn’t particularly athletic, we don’t participate in the traditional organized sports of our region: hockey, soccer, curling, Ukrainian dance etc.  After going through the deck I was pleasantly surprised to find a wide variety of physical activities included.  When paired with the range of character traits, settings and plots wealth of storylines outside of the typical offerings provided by sports oriented products are available.  Imagine an argumentative hiker who learns a lesson at the airport; or an unselfish jump roper who suffers an injury at the pond.  A plethora of basic scenarios ranging from the bizarre (if cards are selected randomly) to the profound (if cards are purposefully chosen) are available to young writers.  The choices are varied enough, and the inclusion of the character traits provides the clear option to focus upon character-driven stories rather than the purely action based tales of athleticism that our family would have difficulties relating to.

Living on a farm, the World of Animals StoryBuilder seemed more up our alley as far as our natural interests go.  The list of unusual characters goes beyond the standard barnyard favourites and includes a boa constrictor, dinosaur, octopus and many others.  Of course the dog, cow, horse etc. are included as well.  The random selections from these cards are hilarious and seem just the stuff of successful children’s picture books.  Many stories for children involve odd animals in unusual locations; who can tell where these prompts will lead?  A bossy giraffe sees strange footprints in the Arctic (sounds unlikely, I know); or a hysterical monkey is found under the couch during a sudden storm.  There is much fun to be found here.

I wish these cards had been available to me as a young writer.  During my elementary school years I was involved in a special creative writing program, but I often had difficulty developing the basis of a story, despite the fact that I loved to write.  My plots were often thin, and I had a difficult time carrying them to completion.  The StoryBuilder card sets would have provided me with an invaluable fount of possibilities to trigger the process of building a story.

The cards are sturdy when printed on cardstock, and are reproducible within a single family or classroom should they need to be replaced.  At $7.99 per set these affordable resources will provide hours of fun, spur of the moment writing.  The ‘on-the-spot’ nature of the spontaneous prompts also helps to develop rapid-fire thinking skills.  Whether your child is a reluctant writer, or one who loves creative writing but has a hard time developing storylines, this new resource from WriteShop is certainly worth adding to your language arts program.

Available directly from WriteShop, selected products are also available from The Old Schoolhouse Store.  Reviews of the other sets can be found at the TOS Homeschool Crew blog.

February 17th, 2009

Free Historical Fiction Download

Remember when I reviewed Glaucia the Greek Slave: A Tale of Athens in the First Century by Emma Leslie last year?  Well, Salem Ridge Press is offering it as a free download, but only until Thursday, February 19th.  Hurry over and pick up some vintage, historical fiction focusing on the early Christian church!

February 17th, 2009

FIRST Tour: Finding God in the Shack by Randal Rauser

It is time for a FIRST Wild Card Tour book review! If you wish to join the FIRST blog alliance, just click the button. We are a group of reviewers who tour Christian books. A Wild Card post includes a brief bio of the author and a full chapter from each book toured. The reason it is called a FIRST Wild Card Tour is that you never know if the book will be fiction, non~fiction, for young, or for old…or for somewhere in between! Enjoy your free peek into the book!

My Note:  Can you believe it, I still haven’t read The Shack yet?  I plan to tackle it on my own first, before delving into this theologian’s perspective :) .

You never know when I might play a wild card on you!

 

Today’s Wild Card author is:

 

Randal Rauser

 

and the book:

 

Finding God in the Shack

Authentic (February 3, 2009)

 

ABOUT THE AUTHOR:

Randal Rauser is associate professor of historical theology at Taylor Seminary, Edmonton, Canada and was granted Taylor’s first annual teaching award for Outstanding Service to Students in 2005. Dr. Rauser’s career as both professor and author has been shaped by his passion for developing a biblically sound apologetic theology that meets the challenges of secular western culture. He is a popular speaker and gifted communicator who seeks to bring the truth of Scripture to bear on the real-life issues of today.

Rauser received his master’s degree in Christian studies at Regent College, later earning a PhD at King’s College London, where he focused on studying the doctrine of the Trinity. Dr. Rauser is the coauthor (with Daniel Hill) of Christian Philosophy A-Z (Edinburgh University Press, 2006) and author of Faith Lacking Understanding (Paternoster) and Theology in Search of Foundations (Oxford University Press, Forthcoming). He has also authored several articles which have appeared in International Journal of Systematic Theology, Heythrop Journal, and Christian Scholars Review. In keeping with his interest in the crossroads of theology and popular culture, Dr. Rauser’s newest book, Finding God in The Shack, explores the theology set forth in The Shack.

Dr. Rauser’s approach to controversial novels like The Shack and The Da Vinci Code distinguishes him from many other evangelical thinkers. “Sometimes we evangelicals possess a certain flatness; we can’t see the beauty of a story. In my opinion, a book like The Shack is not an end in itself. It is part of a conversation,” Dr. Rauser muses. “When a book becomes a catalyst for us to engage people in conversations about who God is instead of the latest update on ‘Brangelina’ or the status of our 401(k)s, we should not miss that opportunity simply because we’re afraid we might make a theological mistake. After all, what work or discourse on theology gets everything right?”

Rauser met his wife, Jasper, a native of Korea, while she was studying English in Vancouver. They have been married since 1999 and have a six-year-old daughter named Jamie and a Lhasa Apso named Sonny. The Rausers currently attend Greenfield Baptist Church in Edmonton, where Dr. Rauser teaches Sunday school and has presented a seminar on the theology of The Shack.

Product Details:

List Price: $14.99
Paperback: 160 pages
Publisher: Authentic (February 3, 2009)
Language: English
ISBN-10: 1606570323
ISBN-13: 978-1606570326

AND NOW…THE FIRST CHAPTER:

Why This Theologian Is Especially Fond of The Shack  

As a theologian, I have one big reason to be especially fond of The Shack. To appreciate the source of my gratitude, I need to say a few words about academic theology over the last forty years. (Trust me, this will not be as painful as it sounds!) Our story begins back in the year 1967 when Catholic theologian

Karl Rahner published a little book called The Trinity. There, Rahner observed, “Despite their orthodox confession of the Trinity, Christians are, in their practical life, almost mere ‘monotheists.’ We must be willing to admit that, should the doctrine of the Trinity have to be dropped as false, the major part of religious literature could well remain virtually unchanged.”1

By calling Christians “almost mere monotheists” Rahner meant that their beliefs about God do not differ significantly from other forms of monotheism like Judaism and Islam. But how can this be if, as Christians claim, the very foundation of their belief in God is found in the doctrine of the Trinity? Rahner’s striking claim really shook up theologians as they pondered how it could be that the doctrine which is supposed to be at the heart of our faith was actually somewhere out on the periphery.

Does the Trinity Matter?

Rather than simply take Rahner’s word for it, I would suggest that we test his thesis by way of a little thought experiment. Imagine that the pastor of a typical Baptist church became convinced that the Trinity was false. Instead of believing that God is three persons, he came to believe that God is one person who plays three roles: sometimes he acts as the Father, other times he acts as the Son, and yet other times as the Holy Spirit. This view is called modalism, and it has been considered a heresy by the Christian church since the third century.

Now if the doctrine of the Trinity really is important, we would expect that the pastor’s rejection of it in favor of modalism would send shockwaves throughout the church. But is this really what would happen? I doubt it! On the contrary, I suspect that as long as he continued to mention the Father, Son and Spirit, it wouldn’t matter if he believed they were all the same person. The church would continue on as it always had with its weekly services, Christmas pageants, potlucks, and various ministries. In contrast to this, if our Baptist pastor baptized an infant on Sunday, I bet you would have a church split by Monday! But surely this is strange: why would a peripheral question concerning the practice of baptism be in practice more important for the church’s identity than the supposedly essential doctrine of the Trinity?

Theologians knew that Rahner was right. Although we claim to be trinitarian Christians, this doctrine does not make a difference to the life of the church. But then the theologians faced the challenge of making the Trinity relevant again. They took up this challenge by doing what theologians do best: they wrote books. Lots of books. Lots and lots of books. Some were about the biblical basis of the Trinity. Others talked about the theological or philosophical dimensions of the Trinity. Still others discussed the historical development of the Trinity. And still others talked about the practical and pastoral implications of the Trinity.2

Many of these books were well worth reading. Indeed, some were good enough to qualify as modern classics. And yet, most were only ever read by other theologians which meant that had virtually no impact on the neighborhood church. As a result, we remain stalled in the same place where we were forty years ago: few pastors know how to preach the Trinity, fewer church goers know how to pray the Trinity, and almost no one knows what it would mean to live the Trinity.

At this point you might be wondering whether the doctrine of the Trinity ever made a difference to the church. The answer is yes, it did: the burning torch of Christian truth has burned much brighter in the past. To take one example, if we could hop in a time machine and travel back to the fourth century Roman Empire, we would have encountered a society that debated theology with the same vigor that Canadians today debate hockey. At that time, big questions were at stake as Christians debated a heretical view called Arianism which said that Jesus was God’s greatest creation.

The fierce public debate between orthodox Christianity and Arianism so consumed the general public that average people would jump into theological debates at the slightest provocation. Strangers in the streets would get into fierce debates over various scriptural passages: for instance, how should we understand the claim that Jesus is God’s “only begotten son” (John 3:16)? Did the text mean, as the Arians claimed, that Jesus was God’s first creation? Or, as the orthodox Christians argued, was Jesus eternally begotten by and equal to God the Father? People of the time were passionate about these questions, for they recognized that the heart of Christianity was at stake.

We have a snapshot of the debate from Gregory of Nyssa, a bishop of the time. He wrote: “If in this city you ask anyone for change, he will discuss with you whether the Son is begotten or unbegotten. If you ask about the quality of bread, you will receive the answer that ‘the Father is greater, the Son is less.’ If you suggest that a bath is desirable, you will be told that ‘there was nothing before the Son was created.’ ”3 In other words, theology was to be found everywhere. It found its way into every conversation, every situation. So prevalent was theological discussion that, as Gregory’s weary tone suggests, even the bishops were getting worn out by the debate!

If Christians in the past could wear out their bishops with their theological bravado, why is it that today many Christians think theology is about as exciting as watching paint dry or attending a life insurance seminar? Or to turn the question around, how can we reignite that lost passion? And how can we get average Christians excited about the doctrine of the Trinity, so that it again returns to coffee shop conversations, morning devotions, and the heart of Christian worship?

Rediscovering the Trinity in The Shack

While the answer to our question is surely complex, recently theology has been given a tremendous boost by, of all things, a novel. Not just any novel mind you, for William Paul Young’s The Shack tells a most unlikely story! Not content simply to

reintroduce the Trinity as a doctrine of mere peripheral interest,

the book weaves the triune God into an engaging narrative. Along the way, it goes to the heart of the most horrifying case of evil and then makes the truly bold claim that God as triune is crucial to the process by which healing is coming to this world.

First, let’s say a word about the story itself. The Shack opens with the narrator “Willie” reporting that he has recorded everything as his close friend Mack had instructed him. (Since the name Willie is an obvious reference to author William Young, some readers have assumed that the book is claiming to be a factual account. But Young has made it clear that the book is fictional, albeit with a significant portion of autobiography thrown in.) We then learn that a few years prior to Willie’s writing Mack took three of his children camping. At the end of a wonderful weekend, his son was in a canoeing accident, and in the melee that ensued, his youngest daughter Missy disappeared. Within hours it became clear that she had been abducted by a serial killer known as the Little Lady-Killer. In a matter of hours, the FBI investigation converged on a remote shack where Missy’s bloody dress was discovered, though her body was never found.

Fast-forward three-and-a-half years and Mack continues to struggle with “the Great Sadness.” Then one day he receives an invitation in his mailbox to meet Papa (his wife’s name for God) at the shack. Perplexed and intrigued, Mack secretly travels to the shack on a Friday evening and is met by an African-American woman named Papa, an Asian woman named Sarayu, and a Jewish man named Jesus: all told, a rather unconventional Trinity! Over the next two days Mack communes with the three as he comes to terms with the Great Sadness and embarks on the road to healing and reconciliation.

The book climaxes on Sunday morning when Papa (now in male form) takes Mack on a journey to the place where the killer buried Missy. Together they return her body to the shack for a proper burial, complete with an unforgettable memorial ceremony. After Mack shares a special communion service with Papa, Jesus, and Sarayu, he falls asleep, only to wake up in the dark, cold cabin. Mack then travels back down the mountain where he gets into a serious car accident. As he slowly recovers in the hospital the memories of the weekend gradually return, prompting the question of whether it was just a dream.

Yet when he has recovered, Mack confirms the truth of the weekend by taking Nan and the police to the grave where the Little Lady-Killer had buried Missy. (Apparently Mack’s experience of relocating and burying Missy’s body did not really occur.) This discovery ultimately provides forensic evidence which leads to the Little Lady-Killer’s arrest and trial. The book ends with Mack transformed and transforming: having been reconciled with his children, wife, and abusive father, he now seeks to extend forgiveness to Missy’s killer.

In the short time since its publication, The Shack has ignited the church’s interest in the doctrine of the Trinity more than the dozens of theology books that have been published by academic theologians over the last forty years. It is wonderful (and a bit humbling) for the theologian to witness a doctrine that has long been locked in the seminary classroom now emerging as a topic of lively conversations at the local coffee shop, and all because of a novel! But while those conversations have not typically lacked for enthusiasm and conviction, many of them would benefit from some deeper background as to the theological issues at stake. It is to this end that the present book is aimed.

Conversations on The Shack: An Overview

We will begin in chapter two of this book with one of the most controversial aspects of The Shack: the manifestation of God the Father as “Papa”, a large African-American woman, and of the Holy Spirit as an Asian woman named Sarayu. This portrayal has yielded some startling, even fantastic charges (including the frenzied charge that The Shack promotes goddess worship!). But even if those charges are overblown, one might still wonder whether the depiction is appropriate and what it implies about our knowledge of God. In this chapter we shall explore these questions by inquiring into the way that the infinite God accommodates himself to our limited human minds, so that we can know him.

Shift to another table in the coffee shop and one might hear an impassioned discussion on how the three persons constitute the one God. On this point some critics have argued that The Shack’s depiction of God is seriously flawed, for it fails to distinguish the three persons. We shall enter into the center of this debate in chapter three as we explore the intriguing way that the book wrestles with the unity and distinction of the Trinity, and ultimately how it distinguishes Sarayu and Jesus in accord with their particular missions as revealed in Scripture.

Turn to another conversation and one finds a heated debate in progress concerning questions of authority and submission. The question here concerns whether the Father is ultimately in charge of the Trinity so that the Son and Spirit eternally submit to him. Or could it be that the Father is as submitted to the Son and Spirit as they are to him? This is not a pointless question, for deciding whether there is authority and submission or mutual submission within God could have radical implications for how we organize our relationships here on earth. After all, don’t we want to be more like God? The view of The Shack is that all the divine persons are submitted to one another and to the creation, and so all human persons should also be so submitted. We shall wade into the midst of this debate in chapter four.

While the conversations thus far are important, it is those that we shall consider in the final three chapters which become for many people critical. In chapter five we will turn to ask how a God who is all-loving and all-powerful would allow the horrific murder of young Missy, a child of whom he says he is especially fond. The reason, it would seem, is that God allows Missy’s death so that he can achieve some kind of greater good out of it. But what kind of “greater goods” would justify the murder of a little girl? Could it be that God allows evil for the sake of free will? And could it be that he allows evil to draw us to him while developing our moral character? Even if these answers provide a plausible general response to evil, we will feel the painful tension when we apply them to the specific death of young Missy.

Turn to another table wrestling with the problem of evil, and the life and death of Jesus Christ moves to center stage. Ultimately there is evil because creation is fallen and we are sick with sin. And so as a response, God has sent his Son to bring healing to this fallen creation. In chapter six we will consider how The Shack explains the atoning work of Christ, noting both what it does and does not affirm about the atonement. In particular, we will note how the book ignores (or bypasses) the language of God’s wrath against sin. Indeed, in its place, it describes the Father as suffering with the Son. We will also consider the controversial question of how far Christ’s atoning work extends, and specifically whether it might save some who have never heard of Christ.

As we said, the world is sick with sin and in need of the Great Physician. However, with a view of salvation as God rescuing souls for heaven, many Christians have missed the fullness of God’s healing intent. And so in our final conversation we will consider the fullness of biblical salvation as extending to all creation. This vision is captured in the subtle way that the book depicts the renewal of the shack and the surrounding environs on Mack’s unforgettable weekend. Evidently it is not only Mack that is being made new, but the entire creation as well.

One final word before we begin. Most people who have read or heard about The Shack are aware of the controversies that swirl around the book. Although I appreciate the passion of the critics, I have been saddened by a frequent lack of charity that has been shown to the book’s author and its fans. And I have been especially disheartened by the advice of some influential Christian leaders not to read the book. It is true that The Shack asks some hard questions and occasionally takes positions with which we might well disagree. But surely the answer is not found in shielding people from the conversation, but rather in leading them through it.

After all, it is through wrestling with new ideas that one learns to deal with the nuance and complexity that characterizes an intellectually mature faith. The Shack will not answer all our questions, nor does it aspire to. But we can be thankful that it has started a great conversation.

1. The Trinity, trans. Joseph Donceel (Tunbridge Wells: Burns and Oates, 1970), 10-11.

2. For some examples of more practically oriented and accessible treatments see Millard Erickson, Making Sense of the Trinity: Three Crucial Questions (Grand Rapids, MI: Baker, 2000); Robin Parry, Worshipping Trinity (Carlisle: Paternoster, 2005); Bruce A. Ware, Father, Son, and Holy Spirit: Relationships, Roles, & Relevance (Wheaton, IL: Crossway, 2005).

3. Cited in W.H.C. Frend, The Early Church (Philadelphia: Fortress Press, 1982), 174-5.

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February 16th, 2009

***Sticky Post***

CONTEST CLOSED

Thanks for visiting!  Don’t forget to enter our contest for Before the Season Ends by Linore Rose Burkard, closing Wed. Feb. 25/09.

February 16th, 2009

Contest: Before the Season Ends by Linore Rose Burkard

CONTEST CLOSED

We have a winner with comment #8, Tracey Bryam who said:

I love historical novels. I was never interested in past history until I discovered them.

Congratulations Tracey!  I think you’ll love Linore’s work.  Please respond to my email within 72 hours with your mailing address so this can get on it’s way for you!  Thanks to everyone for entering!

I’m thrilled to be able to host a contest for a copy of Before the Season Ends by Linore Rose Burkard.  I’m not a big romance fan, but Linore’s debut novel was hands-down the most addictive read of 2008 for me.  You can read my full review to learn how late I stayed up reading this novel and read the first chapter here.  Fans don’t have long to wait, Burkard’s second novel The House in Grosvenor Squareis releasing in April 2009 – just in time for my birthday!

Not only is Linore an excellent author, but she’s a fascinating woman (mother of five) as well.  I’d like to take this opportunity to share a question and answer session with her, before getting down to the contest details.

Linore, what drew you to writing Regency Romance novels? 
Georgette Heyer and Jane Austen books gave me a love for the period, and there weren’t any Christian regencies to be found. I wanted to change that.

What do you think we could learn today from how society operated in the Regency period?
England in the 1800s is a world away from the 21st century. Times have changed, but people haven’t. Men and women of the time were concerned with their appearances, their finances, their futures, finding the right spouse, and so on, just as we are, today. How they went about pursuing these ends is where all the difference lies, however, and this is precisely where the interest and adventure opens up for writers. Bringing to life the means and methods of everyday life and timeless concerns from the regency. It is fun and enlightening as a glimpse into the past, but readers can also identify with the basic human need to be genuinely loved for oneself, no matter the setting or time period, and to be certain of one’s convictions concerning life, eternity, and faith. Having said that, it is good to remind modern readers that valuing one’s purity can be mainstream, as it was then; or that the struggle to find a true love and a sense that one’s life has value, has always been a human issue.

What do you hope readers will take away from your books? 
I hope my readers will feel as though they’ve been transported to the Regency for a good, satisfying visit; While they’re visiting, they’ll be reminded that God is involved in their life, and that happy endings are possible for everyone.

Any Regency romance is going to be compared to Jane Austen’s novels ~ how are your books similar / different?
I don’t think most regencies are written with this comparison in mind at all. However, other people say my book is “Austen-like.” That is a huge compliment, and one I would love to live up to.
The sequel, The House in Grosvenor Square, is releasing in 2009.

Do you have more Regency novels planned?
My editor and I are tossing around ideas right now. I do have a few more regencies in mind.

What are you working on at the moment? A sneak peek, please.
I’m exploring whether to do a third book in the Regency Series, which at present is comprised of Before the Season Ends, and The House in Grosvenor Square. Book three would begin about five years later (about 1818) and follow the lives of a number of people who were introduced in the first two books. I would also probably introduce one new couple.

Some authors report writing 5-10 thousand words a day. Do scenes flow freely from your veins, or do you have to tweeze each word out? 
In general, I write more than I need and later have to cut back. I don’t use a word count, but I may set a goal of one chapter a day or two chapters for a busy week. Other times, I don’t think in terms of chapters at all, just events. I may break an event down into four scenes, say, and so my goal for that day will be to get the whole event on paper. In other words, finish the four scenes. Life changes so rapidly with the children, that for me, a hard and fast writing goal just wouldn’t work. And, I focus on results, not time spent. Instead of, “Now I’ll write for three hours,” I say, “Now I’ll have this or that happen to a character, or, ‘I’ll show a different side to this person.” When I have accomplished that goal, no matter how long it took, I feel satisfied, and only then.

Thanks so much for sharing with us Linore – I love learning more about my favourite authors!

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CONTEST DETAILS:

Visit Linore’s official website (it’s a beauty) and tell me something that catches your eye, or why you’d like to read Before the Season Ends.

For additional entries:

1. Subscribe to this blog for updates – see the left hand sidebar. Leave an additional comment letting me know you’ve subscribed (or if you already subscribe).

2. Write a post on your blog promoting and linking to this contest. Leave an additional comment with a link to your post.

3. Add the Quiverfull Family button (see the code box in the right hand sidebar under BUTTON UP!) to your blog’s sidebar. Leave an additional comment with a link to your post.

4. Digg, Stumble or otherwise share this post on a social networking site.  Leave an additional comment indicating how you shared this post.

5. Follow me on Twitter at http://twitter.com/quivermamma

Each additional step taken counts for 1 additional entry.  A total of 6 entries are available if you complete all of these steps.

The contest will close at 12 a.m. MST on Wednesday, February 25th, 2009. One winner will be randomly drawn for the book on Thursday, February 26th, 2009 and notified by email. Please fill your email address in the comment form when you are completing your comment so that I can contact you.  The winner must respond with a mailing address within 72 hours of my email, or a new winner will be chosen.  This contest is open to Canadian and US addresses only.

I look forward to seeing God bless a special reader with this book.  Thanks for entering!

Welcome!